Interviewer:
So you have a sense of what you want the visitor to go away with?
William Kentridge:
No, that I never have. That I absolutely don't have.
It's an invitation to to the visitor to see if there are points of connection, points of overlap between
their memory, their experiences, their desires & what they see on the screen and what they hear.
It's an invitation to to the visitor to see if there are points of connection, points of overlap between
their memory, their experiences, their desires & what they see on the screen and what they hear.
But it's not as if: Chapter 1) FEAR, Chapter 2) DELIGHT.
It's not an emotional journey plotted for an audience.
That requires cynicism, I think, and thinking on behalf of other people.
It's not an emotional journey plotted for an audience.
That requires cynicism, I think, and thinking on behalf of other people.
* * *
I don't often wonder what you think when you visit me here,
but that doesn't mean I don't find it valuable.
I find it difficult to understand the translation, think it can best be guessed when face-to-face,
the assymetry of sitting across from you (over coffee or coffee table) the only way to recognize symmetry of conversation.
So if I'm lucky, I forget it matters that you come here and see things and make false and accurate assumptions.
I forget that returning matters. Mine and yours.
At least occasionally.
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